2009 Woodstock Film Festival Maverick Awards

Group of people on stage at Woodstock film festival, some holding awards, smiling, with a large banner in the background reading 'Woodstock Film Festival'.

THE LEE MARVIN AWARD FOR BEST FEATURE NARRATIVE

Sponsored by Pamela Marvin and the Lee Marvin Estate

DON’T LET ME DROWN
Directed by Cruz Angeles

Cruz Angeles, Director of DON'T LET ME DROWN

Cruz Angeles, Director of DON'T LET ME DROWN

JURY MEMBERSPeter Saraf, Emily Russo & Ira Sachs

Jury members Peter Saraf, Emily Russo & Ira Sachs


BEST FEATURE DOCUMENTARY

Sponsored by Lowel Light

JUNIOR
Directed by Jenna Rosher

Jenna Rosher

Jenna Rosher, Director of JUNIOR

Jury: Nancy Abraham, Heidi Ewing & Ron Mann


DIANE SELIGMAN AWARD FOR BEST SHORT

Sponsored by Lowel Light

ADELAIDE
Directed by Liliana Greenfield-Sanders 

Director Liliana Greenfield-Sanders

Jury: Nancy Abraham, Heidi Ewing & Ron Mann


DIANE SELIGMAN AWARD FOR BEST STUDENT SHORT

Sponsored by Lowel Light

PINHAS
Directed by Pini Tavger

Director Pini Tavger

HASKELL WEXLER AWARD FOR BEST CINEMATOGRAPHY

THOSE WHO REMAIN (LOS QUE SE QUEDAN)

Cinematographer Juan Carlos Rulfo

Cinematographer Juan Carlos Rulfo

Although this picture deals with issues of immigration and poverty, the camera is secure on a tripod – no doc wiggle. Moving shots are smooth hand held or excellent Steadicam. The camera holds on characters after ‘lines’ allowing us to experience their reactions full of emotional silence. Did I see rigged lights softening silks and regular dolly tracks? If Juan Carlo Rulfo was funded adequately to afford these better tools, he certainly used them wisely to make a beautiful, important picture.
— Haskell Wexler

BEST ANIMATED SHORT

THE TERRIBLE THING ABOUT ALPHA-9
Directed by Jake Armstrong

Jake Armstrong with his award.

Jury: Bill Plympton, Signe Baumane


JAMES LYONS EDITING AWARD - FEATURE NARRATIVE

GARBAGE DREAMS
Directed By Mai Iskander
Edited by Kate Hirson & Jessica Reynolds

Mai Iskander

Mai Iskander

Jury: Doug Abel, Sabine Hoffman, Sloane Klevin


AUDIENCE AWARD - FEATURE NARRATIVE

First Place went to DEAR LEMON LIMA, directed by Suzi Yoonessi
Second place went to DON'T LET ME DROWN, directed by Cruz Angeles
Third place went to HARLEM ARIA, directed by William Jennings

Suzi Yoonessi

Suzi Yoonessi


AUDIENCE AWARD - FEATURE DOCUMENTARY

First Place went to AFTER THE STORM, directed by Hilla Medalia
Second place went to MIGHTY UKE, directed by Tony Coleman
Third place went to WILLIAM KUNSTLER: DISTURBING THE UNIVERSE, directed by Emily Kunstler & Sarah Kunstler

Hilla Medalia (right)

Hilla Medalia (right)


Trailblazer Award

Ted Hope and director Richard Linklater with their Maverick Awards at the 2009 Woodstock Film Festival

Ted Hope and director Richard Linklater with their Maverick Awards at the 2009 Woodstock Film Festival

WOODSTOCK FILM FESTIVAL
PRESENTS 2009 TRAILBLAZER AWARD TO
VETERAN INDIE PRODUCER TED HOPE

/Trail-blaz-er /: an innovative leader in a field; a pioneer

(Woodstock, NY) September 2, 2009: Award-winning producer Ted Hope, one of the most respected independent producers in the film industry, will be honored with the honorary Trailblazer Award at the 10th Anniversary edition of the Woodstock Film Festival, Sept. 30-Oct. 4. Cited within the industry as one of the most influential people in the indie film business, Mr. Hope embodies the spirit of the Trailblazer Award, which honors creative and innovative pioneers in the art of the business of independent film. Mr. Hope will receive the award at the WFF Gala Awards Ceremony on Saturday night, October 3rd.

"I can't emphasize enough how thrilled we are to have Ted Hope as our 2009 Trailblazer recipient" said Meira Blaustein, co-founder and director of WFF. "He is simply one of the most talented, influential and supportive producers in independent film, and undoubtedly one of the bravest when it comes to standing up for the filmmakers vision -- he truly embodies the innovative spirit of the Trailblazer award".

"The Woodstock Film Festival is the ultimate community fest: you feel the passion for film, not just as an art form but also as to what film can do to elevate our hopes, our world, and to bring us together," said Hope, who has participated in past WFF programs. "It's very unique and I have aspired to a similar quality in all that I do. To be now recognized for that by the festival's Trailblazer Honor, will inspire me to continue on this trail until we hopefully reach the mountaintop -- or at least until we get out of the woods!"

A survey of Hope's work includes many highlights and breakthroughs of the last two decades. He enjoys a reputation as an unparalleled spotter of new talent, producing the first films of Ang Lee, Hal Hartley, and Michel Gondry. He has produced more than 50 films that have won numerous awards, honors, and citations, including several Academy Awards, Golden Globes, and the Palm d'Or at the Cannes Film Festival. Together with partner Anne Carey, he runs the New York production company This is that, formed out of Good Machine, the groundbreaking indie production house that he co-founded with writer/producer James Schamus. In 2001, Good Machine was honored with a ten-year retrospective at the Museum of Modern Art in New York.

This is that's first year alone yielded such films as Alejandro Gonzalez Inarritu's 21 Grams, Michel Gondry & Charlie Kaufman's Eternal Sunshine of the Spotless Mind, and Kip Williams' The Door in the Floor. Recent work from This is that includes Greg Mottola's Adventureland, Tamara Jenkin's The Savages, and Alan Ball's feature film directorial debut Towelhead.

Hope is one of the few producers consistently delivering vital and exciting new work, including a colossal twenty-three Sundance entries. Among his accomplishments are the Sundance Grand Jury Prize-winner American Splendor, Todd Field's In The Bedroom, many of Ang Lee's films including The Ice Storm and the Academy Award-nominated The Wedding Banquet, Edward Burns' The Brothers McMullen, and the Cannes Critics' Prize-winning Happiness, which Hope and his partners released themselves when its distributor's corporate parent demanded they censor the film.

Hope is a sought-out lecturer at industry events worldwide. He has been a jury member at Sundance and the Miami Film Festivals, as well as the Woodstock Film Festival. He also co-founded Hammer To Nail, a film review site focused only on independent features and writes several blogs including Truly Free Film.

He was the recipient of the 2009 Vision Award at the Filmmakers Alliance/Vision Quest ceremony in Los Angeles last week. Follow the links below for his comments, including the introduction by Alan Ball (American Beauty, Six Feet Under, True Blood):

Honorary Maverick Award

Richard Linklater

10TH ANNUAL WOODSTOCK FILM FESTIVAL TO BESTOW ITS
HIGHEST HONOR ON FILMMAKER RICHARD LINKLATER

One of the most creative voices in film coming to Woodstock to accept the Honorary Maverick Award.

MAV-ER-ICK. adj.

  • Being independent in thought and action or exhibiting such independence.

  • One who refuses to abide by the dictate of a group.

(Woodstock, NY) April 29: RICHARD LINKLATER, the Academy Award® nominated writer/director will be presented with the 2009 Honorary Maverick Award by the Woodstock Film Festival, during its Gala Award Ceremony, Saturday evening, October 3rd , at BackStage Productions in Kingston, NY.

Presenting the Honorary Maverick Award will be Linklater’s long time friend and collaborator, actor Ethan Hawke (Before Sunrise, The Newton Boys, Tape, Before Sunset). Linklater’s latest film, Me and Orson Welles will be featured as one of the Spotlight films in this year’s lineup, and he will participate in a panel discussion during the festival, which runs this year from Wednesday Sept. 30 through Sunday Oct. 4th. Through his films he has introduced any number of talented young actors into the Hollywood scene, including Matthew McConaughey, Ben Affleck and Parker Posey.

Linklater's work includes: Its Impossible to Learn How to Plow By Reading Books (1988); Slacker (1991); Dazed and Confused (1993); Before Sunrise (1995); Suburbia (1997); The Newton Boys (1998); Waking Life (2001); Tape (2001); Live From Shiva's Dance Floor (2003); School of Rock (2003); Before Sunset (2004); $5.15/Hr. (2004) (TV); Bad News Bears (2005); A Scanner Darkly (2006); Fast Food Nation (2006); Inning By Inning: A Portrait of a Coach (2008); Me and Orson Welles (2009)

WFF Co-Founder and Executive Director Meira Blaustein said Linklater, a native of Texas, embodies the Maverick spirit as a symbol of creative, free spirit, risk taking and independent thought:

"Richard Linklater's singular approach to filmmaking - always inventing and re-inventing the art in fresh and exciting new ways, coupled with his unwavering support of independent filmmakers- makes him the ideal recipient of our honorary Maverick Award.” said Blaustein. “We're thrilled that he accepted our invitation and can't wait to host him here in Woodstock, where he'll find a thriving film community, reminiscent of the one in Austin, Texas which he so closely nurtured".

Richard Linklater said in a statement: "Although the term 'maverick' was greatly devalued in last year's election cycle, I'll humbly take on this honor and as a Texas filmmaker help reclaim the term in the tradition of the famous Texas cattleman Samuel Maverick who refused to brand his cattle. I would like to think it was for humane reasons but the legend goes that he was just too lazy and uninterested in ranching to care. I think there may be an indie filmmaking analogy in there somewhere... regardless, I look forward to being with all of you up in Woodstock this fall."

Jury Members:

FEATURE NARRATIVE JURY

Emily Russo is co-founder and co-president of the New York-based distribution company Zeitgeist Films. Along with her partner Nancy Gerstman, she has released of over 170 films, including early films by notable directors like Todd Haynes, Francois Ozon, the Brothers Quay, Atom Egoyan, Agnes Varda, and Guy Maddin. Zeitgeist is also renowned for its collection of ground-breaking documentaries including The Corporation, Into Great Silence and Trouble the Water.

Ira Sachs is a filmmaker living in New York City. His work includes Married Life (2007), The Delta (1997), and the Sundance Grand Jury Prize winning Forty Shades of Blue (2005). An Adjunct Professor at Columbia University School of Film, Sachs is presently working on a new feature, The Goodbye People, co-written with Oren Moverman (The Messenger, Married Life), and adapted from the fiction of screenwriter and novelist Gavin Lambert.

Peter Saraf co-founded Big Beach with Marc Turtletaub in 2004. Since the company’s founding, Saraf has produced Everything Is Illuminated, Little Miss Sunshine, Sunshine Cleaning, Is Anybody There? and Away We Go and executive produced Chop Shop. He is currently in post-production on Jack Goes Boating, directed by Philip Seymour Hoffman. Previous credits include Ulee’s Gold, The Truth About Charlie, and Adaptation as well as several documentaries including The Agronomist, which won the IFP Gotham Award for Best Documentary and the Academy Award nominated Mandela: Son of Africa, Father of a Nation.


FEATURE DOCUMENTARY JURY

Nancy Abraham is Senior Vice President of Documentary Programming for HBO, responsible for the development and production of HBO Documentary Films which have garnered numerous awards over the years. Prior to 1995, Abraham was director of film acquisition for HBO’s international channels and spent three years as Director of Programming for HBO Hungary.

Owner of the New York-based production company Loki Films, Heidi Ewing is the co-director of Jesus Camp, which was nominated for the 2007 Academy Award®. She and Rachel Grady are currently directing a feature length documentary on the pro – life movement, a film on Saudi teen rebellion for MTV and adapting the book Freakonomics to the big screen with several other directors. She is also the co-director of The Boys of Baraka, which was released by ThinkFilm in 2005 and was nominated for an Emmy.

Since his twenties, Ron Mann has been making award-winning feature documentaries that focus on alternative and dissent culture. Woodstock has premiered many of Ron’s films and this year is proud to present his latest (and earliest work) Flak. In addition to producing and directing films, Ron runs Films We Like, an art house distribution company in his native Canada.


SHORTS JURY

As Senior Vice President of Film for Gen Art, Jeffrey Abramson oversees all film events and programming for five markets (NY, LA, SF, Chicago & Miami), as well as film content partnerships film industry and community relations. The 15th Annual Gen Art Film Festival takes place April 7-13, 2010 in New York City. He previously served as a market research associate at Miramax Films where he worked on such films as Shakespeare in LoveLife is Beautiful and The Cider House Rules.

Amy Gossels has been the casting director, and in many cases a producer, for more than sixty film productions. Feature film casting credits include Something’s Gotta Give, Godsend, Milk & Honey and Shoot First and Pray You Live. Ms. Gossels has cast and produced more than thirty award-winning short films, including the Academy Award® winning Zen and the Art of Landscaping and Happenstance.  Ms. Gossels also casts for a wide range of televison projects, including the Comedy Central 2008 Special Night of Too Many Stars; Lifetime Television’s upcoming series Mom’s Cooking; and three highly anticipated new productions from the creators of Blue Man Group, Counts Media and legendary comedy writer Bruce Vilanch, all slated to open on Broadway in early 2009.

Stephen Garrett is a co-founder of Kinetic, a marketing company for foreign-language, documentary and independent releases. In the past decade, Kinetic has created more than 150 trailers for acclaimed films such as Half NelsonThe Lives of OthersTaxi to the Dark SideCapturing the FriedmansWendy and LucyLet the Right One In and Gomorrah.

STUDENT SHORTS JURY

Peter Bowen is editor of FilmInFocus and ­Senior Editor of Filmmaker magazine. He ­previously served as Editorial Director of the Sundance Channel. He has written for a range of periodicals and served on the board of the New Festival.

Jonathan Gray is an award-winning independent film producer whose films have been screened at festivals worldwide. A practicing attorney since 1990, Gray is a dedicated advocate for emerging and established directors, producers, production entities, screenwriters, investors and distributors in film, television and other media. He is the senior partner at Gray Krauss, a full-service entertainment law firm. Jonathan is the former chairperson of the New York State Bar Association Committee on Motion Pictures.

Annie Nocenti teaches filmmaking in Haiti (fiction, shorts and documentary). Her journalism and comics are published widely. She was the Editor of Scenario Magazine, and has made several short films. Her screenplay Patriotville was produced in 2009, and her script Escalate in slated for 2010.

ANIMATION JURY
Since her arrival to New York, Signe Baumane has produced and co-produced, written, directed and designed eight independent animated shorts. She has continued her collaboration with Rija Films, where she directed two of her own stories. Her films have screened at such prestigious festivals as Annecy, Tribeca, Sundance, Berlin and Ottawa and have received numerous awards. Signe is a member of the Academy of Motion Picture Arts and Sciences and is a Fellow in Film with the New York Foundation for the Arts. She advises a series of film festivals in the U.S. on their animation programs and curates special shows where she personally presents films and filmmakers.

Bill Plympton is often referred to as the “King of Indie Animation.” He’s completed six animated features and over thirty animated shorts. He has a new book coming out this winter, illustrating the lyrics of Kanye West, and is now starting his seventh animated feature film, about sexual jealousy.

CINEMATOGRAPHY
Haskell Wexler, A.S.C, is considered one of the most well respected cinematographers in the film industry today, His career spans six decades, and his work includes such films as Coming Home, Bound for Glory, One Flew Over the Cuckoo’s Nest, Who’s Afraid of Virginia Woolf?, Interviews With My Lai Veterans and American Graffiti. Haskell has received five Academy Award® nominations and a number of other prestigious awards honoring his outstanding achievements in the photography of a wide range of films.  He won his first Best Cinematography Oscar® in 1967 for Mike Nichols’ Who’s Afraid of Virginia Woolf? and received the coveted prize again, ten years later, for Hal Ashby’s Bound for Glory. His other nominations were for One Flew Over the Cuckoo’s Nest (1976), Matewan (1988), and Blaze (1989).

EDITING JURY–NARRATIVE
Sabine Hoffman has edited Rebecca Miller’s films The Private Lives of Pippa LeeThe Ballad of Jack and Rose and Personal Velocity. Other credits include Brother to Brother, Diggers, Off the Black, Saving Face, All Over Me, Hurricane Streets, Desert Blue, Harlem Aria, The Twelve Disciples of Nelson Mandela, The Party is Over and Academy Award® nominated Ferry Tales. She is an adjunct professor at Columbia University and serves on the Woodstock Film Festival Advisory Board.

Brian A. Kates, A.C.E. ‘s work as a feature film editor includes the Oscar®-nominated The Savages (Tamara Jenkins); the Emmy Award®-winning Lackawanna Blues (George C. Wolfe) for which he won an A.C.E. Eddie Award; Shortbus (John Cameron Mitchell); The Woodsman (Nicole Kassell); and the Emmy®-nominated The Laramie Project (Moisés Kaufman). He was Jonathan Caouette’s co-editor on the groundbreaking documentary Tarnation, named Best Non-Fiction Film by the National Society of Film Critics. Brian recently completed the Warner Bros. production Nights in Rodanthe (George C. Wolfe). He is currently editing Taking Chance, his third collaboration with director/producer Ross Katz.

Craig McKay is a feature film editor recognized with two Academy Award® nominations for Reds and The Silence of the Lambs, and an Emmy and Eddie Award for editing the NBC mini-series Holocaust, he has edited more than fifty films including PhiladelphiaCop LandMaid in ManhattanEverything is Illuminated and Sin Nombre.


EDITING JURY–DOCUMENTARY

Doug Abel is a film editor based in Woodstock and he played a key role in editing the Academy Award award winning documentary The Fog of War. Other credits include Metallica: Some Kind of Monster and NBC’s TV series 30 Rock. He just completed a new film with fellow Woodstocker, Academy Award® winning director Leon Gast.

Sabine Hoffman (see above)

Sloane Klevin has been an editor of films, television, commercials and music videos for twenty years. Her most recent feature film, Taxi to the Dark Side, which she also co-produced, won the 2008 Academy Award® for best Documentary Feature as well as the WGA award for Best Doc Screenplay. She also received a Peabody Award and the jury prizes at the Tribeca and Chicago film festivals. Her other feature credits include Real Women Have CurvesHeights and Martin Scorsese Presents the Blues for PBS. She is a partner at Union Editorial and an Adjunct Professor of Film Editing at Columbia University.